- Self-important, hyper-feminist literature selected by the teacher to compensate for the feelings of hopelessness and conformity caused her solitary, oppressed life.
- "The Awakening," by Kate Chopin.
Saw Ocean's 13 yesterday.
What I'm talking about more is how Ocean's 11 is like an old Fred Astaire movie. Fred Astaire did three things well: sing, dance, and wear a tuxedo. And he did them very well. Thus, in every movie he's in he ends up singing and dancing at some point. And, inexplicably, the plot of the movie always makes it necessary for his character to be wearing a tuxedo the whole time. In several movies he played a performer whose job it was to sing, dance, and wear a tuxedo. It was a recipe for success because he was the best at it, so they wrote his movies around him.
Ocean's 11, I think, is a lot like that... only more so because you bring in a bunch of superstars. George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac, etc... any of these guys can (and do) star alone in their own movies. And the first three listed can be pretty cool. Ocean's 11 gives these guys the chance to hang around in sharp-looking clothes and say cool things, just because they're good at it. It's written for them. One would expect that they're hardly even playing characters, as much as they're playing themselves.
2. Not all girls' clothes have belt loops. If you're a guy, every pair of pants you own has either belt loops or an elastic waistband, so it doesn't totally matter if things fit. You can make any of a number of sizes fit, if you have a belt. But not so with girls' clothes. Apparently, for some things, you have to buy it in just the right size—then if you get any bigger or smaller, it doesn't fit anymore.
Dr. Adams,
I've just graduated from the Advertising program, and I wanted to send you my thanks and thoughts about the program. I hope I'm not violating protocol by writing you directly.
I'm in San Francisco now doing freelance work, and in a month I'm headed off to the most prestigious internship in the country, for a copywriter. I worked in the Ad Lab for my whole last year at BYU, and while interviewing for work here in one of advertising's main hubs I'm finding that my Ad Lab experience has made me more prepared than many other job candidates, including some with more industry experience under their belts.
I visited a prominent ad agency today to have lunch with another Ad Lab alumnus. To his colleagues, he didn't introduce me as a "school buddy" or even "former co-worker", although those are true; he introduced me as having worked in the Ad Lab, because of the clout it holds there. Someone referred to it in response as "the Harvard of advertising schools." It's only now that I'm away from BYU that I'm able to see how remarkable the advertising program is, and especially the Ad Lab. It's one of a kind, Dr. Adams, and it's likely preparing students for jobs better than any other undergraduate advertising program in the country.
The advertising faculty is outstanding all around, but both you and I know that the Ad Lab has reached its level of national acclaim because of Jeff Sheets. He's done a tremendous amount for my future, as well as (I'm sure) a great number of other students. He's done so much, and he can use all the help you can send his way.
I don't know how much of this actually gets back to you, so I wanted to let you know how well-respected the advertising program, and especially the Ad Lab, is in the industry.
RP
Former Creative Director, BYU Ad Lab

